Even though it was a quick production, we focused on strong storytelling – building a clear narrative through the script and matching it with the right mood. Through targeted color grading, we captured the intense vibe of the original while giving it our own spin.
It was a fun and challenging process that not only taught me a lot, but also helped me solidify my skills in scripting, visual storytelling, and post-production.
The visual concept of this short music video was inspired by a mix of iconic references from well-known music videos. How did we come up with that? At the time, there was an exhibition in Groningen about the history of music videos – and it sparked the idea.
We chose Voodoo in My Blood as our base and set out to recreate a shorter version, not as a direct remake, but as a reinterpretation. Inspired by the exhibition, we developed a concept that plays with the idea of being haunted by something undefined – just like in the original. We visualized this feeling through a collage of recognizable shots from other music videos. (You might have noticed the elevator scene feels familiar.)
To bring the right atmosphere to life, we also experimented a lot with color grading – shaping the footage to match the mood we were going for.
Behind the Scenes
With only 48 hours to produce the entire video, we challenged ourselves to try out new gear like a gimbal and worked with movable lights across three different locations. That experience really showed me how crucial good location scouting and logistics are for a smooth production.
Luckily, the team was super skilled and motivated – that’s what made it possible to pull off such a solid result in such a short amount of time.
Credits
ScreenwritingOusama Saaidi , Jette Bluemel, Martha Wijma
Production
Jette Bluemel, Ousama Saaidi, Tim JordanPostproduction
Jette Bluemel, Tim Jordan
In this project, I took on the roles of Director of Photography (DOP) and Light Operator, ensuring a cohesive visual concept by carefully balancing camera angles and lighting setups. Working with an international team, we brought our vision to life using professional equipment, including a Virtual Production Screen and a RED KOMODO 6K S35.
The visual design of the music video for Defektas was inspired by the song title, which translates to “discharge.” To reflect this concept, we incorporated Gewitter (thunderstorms) as a subconscious visual element in the background. Additionally, we used delayed and layered visuals to represent the erratic behavior of electrical discharges in technical devices.
To further enhance the aesthetic identity, we integrated the band’s established visual stylefrom their Instagram presence. By using a bold color palette of green, black, and blue, we created an otherworldly and unconventional look that aligns with both the band’s artistic direction and the conceptual essence of the song.
Behind the Scenes
An international project that wasn’t just about great teamwork, but also about crossing language barriers through creativity. The behind-the-scenes footage gives a glimpse into how we worked during production and editing.
I stepped in as DOP – not my first time on set, so taking the lead came naturally. What mattered most was staying in close contact with the band to make sure the final result felt right for them too, not just for us as a production team
Credits
DOP
Jette Bluemel
Color grading
Jette Bluemel, Alexandra Vavríková
Light operator
Jette Bluemel, Alexandra Vavríková
Creative production
Jette Bluemel, Alexandra Vavríková, Alberto Pérez
Our goal was to deliver WIN4SME’s message and those of its partners in a way that was both clear and accessible to a diverse audience. We prioritized simplicity and inclusivity in our approach, carefully considering how to communicate complex concepts without alienating any group.
By focusing on accessibility and clarity, we ensured that no minority voice was overlooked, aligning with WIN4SME’s mission of creating inclusive and innovative workplaces.
Showcasing a detailed breakdown of the animation’s structure and visual design, presented through its artboards.
Each artboard represents a key scene showcasing the composition, color scheme, and visual elements used to convey the narrative.
The artboards are arranged in chronological order, illustrating the progression of the animation and offering insights into the creative and storytelling decisions behind each scene.
Credits
Visual Design:
Giorgia Castella, Ousama Saaidi
Animation:
Hanna Vaishevich, Jette Bluemel
The documentary seeks to emphasize the interconnected beauty and fragility of nature and life, mirroring the themes present in Nants Schilstra’s art. Beyond simply showcasing her works, the focus was on portraying her unique creative process and conveying her personality as an artist, ensuring that her vision and individuality are authentically reflected throughout the film.
This project highlights my ability to collaboratively document an artist’s journey and to create a compelling narrative that merges art, storytelling, and cinematography.
The visual design of the project centered on incorporating natural, earthy tones and a warm color palette to reflect the organic and nature-inspired essence of the artwork. By emphasizing these tones, the visuals aimed to create a harmonious connection between the art and its environment, highlighting the natural beauty and authenticity of the pieces. The warm, subdued hues were carefully chosen to evoke a sense of comfort and closeness, aligning with the artist’s vision and the themes of nature and fragility conveyed in her work.
Behind the scenes
My first film project with an amazing, highly skilled team.
To capture the artist’s true essence, we interviewed close friends and spent time with her in her own environment – getting a real sense of who she is beyond the surface.
This was one of those special projects where I not only learned a lot about production and execution, but also about working as part of a team that truly supports and pushes each other forward.
Credits
Lene Andersen,
Clio Borgers,
Tim Jordan,
Beau Tilli,
Ousama Saaidi,
Jette Bluemel